Thursday, February 14, 2013

Chinese New Year Dresses: Burda Fatina & Simplicity 1877

Happy Chinese New Year 2013! Wishing everyone happiness and health always.  For CNY this year I wore 2 handmade dresses, which was a first as I have always been wearing RTW previously.  

On the first day of CNY I wore a cheongsam I made using the Burda Fatina pattern, made with inexpensive kain songket fabric.  The fabric has a beautiful sheen and weave to it. Kain Songket is sort of like brocade but thinner and is prone to ravelling fibers.   In the past I have always felt slightly guilty buying pricey RTW cheongsams and only wearing it once for this annual special ocassion but this year I am guilt free as I made my own cheongsam.   This is my second time making this pattern, you can see the the first one here.  As many have mentioned, this pattern is a bit boxy so next time I make it I will make sure I include bodice darts at the back.



A picture of the cheongsam I took using my Iphone.  The collars are piped with orange piping.


On the 3rd day of CNY, I wore my handmade dress from Simplicity 1877, a Leanne Marshall pattern.  The pattern features a dangerously low plunging neckline and also low arm holes which is not for the faint hearted like me.  I prefer not to wear the dress with a tube inside so I raised the neckline by a whole 5 inches and also raised the armholes (which created some slightly noticeable pulling at the side of the dress).

I rather like the ruffly bits at the shoulder which is a Leanne Marshall signature.  The inverted V waistline creates a slim silhouette for the waist and the front pleats are very interesting. This pattern is rather easy to sew up but it took me a bit more time as I chose to line the bodice.






Monday, October 29, 2012

McCalls 6460 Again: Lace Yoke Dress

I adore this pattern so much that I made another dress!  A month ago, I spotted some crochet-lace-like fabric at the local shop selling at a very steep discount at only RM3/USD1 a yard, it is perfect for the yoke of this dress pattern.



The Facts

Fabric:

1/4 yard of Poly fabric, left over from this Royal Blue Work Dress - New Look 6909
(I had to cut CROSSWISE on the fabric grain as I only had 1/4 yard of 60 inch to squeeze this dresss out of, just enough!)

1/4 yard of blue crochety lace fabric

Leftover light pink poly to line the lace on the yoke

Pattern: McCalls 6460 (View C, yeah can't get enough of the sweetheart neckline, with the contrast hem band this time).  You can see my first version of this pattern with sleeves here.

Notions: An invisible blue zipper

Total Cost (excluding pattern): Approximately RM6/USD2


Pattern Notes:   You can read the review of this pattern from my last post.  For this version, I didn't line the dress as I have underlined the lace yoke with poly fabric (I have no confidence in my flattish  upper body to wear the lace yoke UNLINED).  The blue poly fabric is also sturdy enough and holds well with a petticoat underneath.  I must say having the contrast hem band saves one a lot of work from hemming the skirt if you hate hemming. The neck and arm holes were finished with bias binding and catch stitch.    

 



I rather like this dress, I have already worn it twice. Last Saturday to a wedding dinner and Monday to work (too dressy?)
 

Which version do you prefer? The Macaron Wannabe or this lace version?

Monday, October 22, 2012

Macaron-Wannabe: McCalls 6460

I have admired the Colette Macaron pattern for a while now so I was thrilled when McCalls announced M6460, I could see its potential to be turned into a Macaron-Wannabe.


The Facts:


Fabric:


1/4 yard of Coral cotton poly blend fabric for the contrast yoke


1 yard of Teal cotton viscose blend fabric (though it looks more baby blue in the picture)

1 yard of Powder Pink lining fabric


Pattern: McCalls 6460 (View C, omitted the contrast hem band) and added sleeves from Simplicity 2550



Notions: An invisible hot pink zipper

Total Cost (excluding pattern): Approximately RM24/USD8






Pattern Notes:

This pattern is labelled as 'Easy' on the envelope. I think it's a straight forward pattern, I didn't refer much to the instructions as I chose to add sleeves and fully line the dress. Pattern does not call for lining the dress. For me, perhaps the most challenging part of the dress would be to attach the contrast yoke to the dress body due to the curves and concave part of the heartshape line, the instructions didn't help much here to achieve a neat and defined point at the concave of the heart shape. I ran a basting stitch on the seam allowance of both pieces to be joined, and then snipped up to the basting line especially along the curved parts. This will assist to join both curved parts nicely together. After joining both pieces together I graded the seam allowances close to the seam.

I like to point out that this pattern offers different bust sizes and also Petite Adjustment. I cut a Size 10 and did not find the need to move up the bust darts nor take in the sides towards the armscyes as I would normally need to do to downsize to a Size 8 for the top part, thanks to being able to choose Cup A size and I folded along the 1 inch line for the Petite Adjustment on the top of the dress. Note from the picture there are two 1-inch Petite Adjustment fold lines, one on the dress top and one at the bottom. These are in addition to the normal 'Lengthen or Shorten' here line. McCalls is very thoughtful to include bust sizes and petite adjustment for petite seamstresses like me. From waist down I sewed a smaller seam, 3/8 instead of the normal 5/8 to accomodate for a more relaxed hip fit. I also added a skirt vent.






Apart from very cute sweet heart neckline, I think the pattern is very well drafted and provides a slender silhouette for the wearer. I look forward to making another!  Cheers!


Monday, October 15, 2012

Colette Anise Jacket




Have you ever been in love with a sewing pattern that you just had to buy it immediately and make it?  When Colette Patterns introduced the Anise Jacket Pattern on Sept 13th, it was love at first sight that I instantly got the digital release on the date of the pattern launch.   Ok never mind that I live in Malaysia where the weather is only warm (ok, seriously it's hot and humid actually) and ocassionally rainy the whole year.  I must admit I was perspiring at the end of this photo shoot! I can only wear this jacket to the air conditioned office and someone please give me airplane tickets to visit a country where there is autumn or winter already!

This was my first time ever making a jacket, it was a HUGE learning curve, I learned so much! I cut a Size 2 and didn't make any pattern alterations.  I omitted the shoulder pads as I felt they were not needed.

 The Anise has 8 buttons and 2 are hidden underneath the collars.

I paired the dress with the first fully lined dress, McCalls M5927

The Facts

Fabric: 1.5 yards of tweed (yes, it was scratchy!) plaid/houndstooth looking (can someone decide for me?).  It was 60 inch width so I was able to squeeze all the main pattern pieces into 1.5 yards, yay.  RM12/USD4 a yard, it was quite 'old looking' in the store and highly discounted. I wonder if it's not popular due to our warm weather.  Beware, tweed frays quite easily and stretches a bit too due to its weave but of course I didn't know any better when I chose it for my first jacket attempt.

The lining fabric is rather thick, sturdy unbleached cotton meant for doll skin making.  Originally I opted for an aquamarine satin lining but ditched it later because I omitted the underlining of this jacket due to my warm weather but halfway I knew the jacket won't be sturdy enough if I didn't use a sturdier lining.  I think it's a blessing in disguise because lining a jacket can be tricky if you are using thin swishy-swashy material.


Notions: Interfacing, 8 one-inch buttons

Total Cost (excluding pattern): Approximately RM35/USD10.90

Pattern Notes:

For a first timer like me, this pattern requires a lot of patience because it requires fairly much (ok, I admit A LOT!) of hand stitching (the lining).  Though I must say through this experience, I have finally learned properly how fell stitching and slip stitching should be done, ha!


I am most proud of my welt pockets, it wasn't easy for a beginner like me.  I would advise anyone who has not attempted these kind of pockets before to have a clear and focused mind when making this as it requires you to slit the front jacket at one point and cut it to the edges of the underlaying pockets (scary! one false move then all your work is gone!).   There are also a few pattern pieces to making this pocket so it needs some figuring it out.  I think it would be more helpful if Colette had included notches on the underlaying pocket pieces.

When fully buttoned, the look is more military style smart.


Is it only me, but do you realize that my pockets are rather low hanging on the jacket? I compared it to Colette's version, theirs seem to situated higher towards the waist. After I finished the pockets I compared the placement of the pockets again to the original pattern pieces and I didn't think there was any mistake in tracing.  The edge of the insides of the pockets extend beyond the lining at the hem of the jacket (but it doesn't show so in the pictures in the Anise companion book) so I had to just 'tuck them in somehow' but I am glad it still works. I used the digital pattern.  If you have made up your Anise, can you share with me if you have seem-to-be lower placed pockets as well?

The back view. My husband said it's a bit loose looking but I think perhaps it's due to my poor posture.  I used normal interfacing because I had no idea what is 'weft interfacing' and the craft stores here do not label notions in English.  I intended it to be a summery jacket so I just used normal interfacing. I am a bit unhappy that the collar looks slightly floppy.  Note to self for next Anise: Thicker collar interfacing.

 You can also style it unbuttoned and you have a more casual look.






Want to see some lining?  Sorry for the wrinkly rayon dress.  It was also my first sheath dress and after having made a few later, I realized the fitting on this one was a bit off.

And I was so sorry that I completely missed out the BOUND buttonholes! There was one sentence in the instructions that states 'Optional' to make bound buttonholes (and to refer further  to the Anise Companion handbook or Colette blog for tutorial)  before attaching the front facing to the jacket and I completely missed that part.  I thought buttonholes are usually left until the end.  Next Anise, must try these professional looking buttonholes.

Colette instructed for a 2-inch hem and I folded at 2 inch at the designated hem line.  The  main fabric section is only 5/8 inch at the hem when finished (lining slip stitched to the armscyes) and the hem fold doesn't rest exactly at the hem line that I traced from the pattern piece.  This is all fine by me (the shorter VISIBLE hem) but can someone enlighten me, does a 2 inch hem includes the folded seam allowance? Just wondering.



 I must say I adore the above picture. Something really smart about the offwhite against the plaid/houndstooth.


I noticed the markings on where to place the 2 inch pleats on the back lining of the jacket is missing from the digital pattern but it's no biggie I figured it out from the pictures.  2 notches at the side sections of the lining patterns are also misplaced but you can trace the correct notches from the main jacket side pieces.

I will certainly make the Anise again in a solid colour crisper fabric but I am thinking, to underline or not to for a sturdier look?  But I must take a breather after all that work on this one. 
And I give myself a pat on the back for having the patience to complete my first fully lined jacket. :)

Monday, October 01, 2012

1960s Dress: Vintage Butterick 4996

This is my 2nd attempt at a vintage pattern after my last Vintage Butterick 4309

 

Vintage Butterick 4996 is a 1960s dress with really cute collars. It also has interesting kimono sleeves which are not separate pieces from the dress but part of the side panels. To strengthen the curvy part around the armscyes, the instructions call for basting bias tape around the stitching line of the armscye curve.


This pattern is fairly easy to sew as it has only 4 main pattern pieces. The princess seams are more flattering for a lightly endowed person like me (who always had to do make SBA alterations), I would prefer a dress with princess seams anyday compared to one with bust darts. I seem to have more issues with patterns requiring bust darts, such as pointy darts (which happens to me ocassionally and I can't get rid of, so annoying!) and excess fabric.




I omitted the middle pockets and added a skirt vent at the back of the skirt to allow for more leg movement. Other than that, the NEW SIZING 31.5 bust size was perfect for my top part of the body but I tapered out to smaller side seams (1.5cm to 0.8cm) from the waist downwards to accomodate wider hips. Other than that, I have no issues with this pattern.

 The pattern and instructions are both old with age, very crisp and very prone to tearing, I was well equipped with clear tape to 'rescue' any sudden perforations!

I didn't have to line the dress as I used really sturdy nice polyester viscose blend double yarn fabric from Japan (USD5/yard) which was really a dream to sew. Total cost of this dress is approximately RM25/USD8 and commanded less than 1.5 yards of a 60 inch width fabric. Pattern was gifted (thank you!). I wore a simple petticoat skirt inside so the skirt part would hang better as the dress has no lining.





I am pretty pleased with this pattern as now I have a basic grey dress to add to my work wardrobe. My husband wouldn't recommend me to wear it to work with the bow tie style as he thought it looks too much like an airline stewardess or sales promoter uniform; I don't mind it too much as I reckon the look is rather 'Mad Men'. The flowery bow is from a sash of this dress I made a while ago.





Sunday, September 02, 2012

Burda Fatina #6051: Cheongsam Wearable Muslin

I have not made a Burda pattern before so this is a first!  Compared to paper patterns, making a Burda requires that extra effort to print out pages of patterns and paste them up.  In addition, Burda's instructions are brief and wordy instead of illustrative and I don't do so well with words compared to pictures when it comes to instructions.  And this pattern already has seam allowances included, can anyone tell me if there are seam allowances included in patterns of Burda Mags?

Recently, Burdastyle gave out this downloadable pattern during one of it's Freebie Friday offers. I was keen to make this one as I saw that this simple sheath pattern has a cheongsam/qipao variation, which I've always been trying to find a pattern for.  So Chinese/Lunar New Year 2013 (February next year) came early for me!




The Facts
 
Fabric: One yard of Turquoise poly fabric with alternating red flower motifs, RM3/USD1 a yard.

Pattern: Burdastyle Fatina #6051, the cheongsam variation.

 
Notions: Basic Zipper, Purple piping and bias tape
Total Cost (pattern's free, yay!): Approximately RM5/USD2

Pattern Notes:  According to the Burda sizing I had cut a Size 40 but after making it up, perhaps the Size 40 would be well suited only for my hips (alas!) and I had to take in a lot on the top and waist to make it fit.  My husband thinks the fit is still too loose for a cheongsam but I think the style is meant to be loose fitting on this Burda pattern as it has side french darts instead of straight vertical darts for a closer fit.  Plus I prefer a relaxed fit. 

There are 32 pages of Burda pattern to paste together which was not so bad as I did it whilst watching the season 1 finale of Fashion Star.  I thought the width of the mandarin collar was a bit too small to make an impact (it'll be 'lost' without the piping added) so I will make it wider on my next cheongsam.  The pattern is easy and quick to sew up as it has no lining.  I would imagine the sheath dress pattern would be quicker without having to pipe the collars.



It certainly felt good to complete this wearable muslin in only 2 days compared to my last disaster dress which took  more than 2 weeks. Now I need to find the perfect fabric to make the next version!




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